Collectors have achieved a central role in contemporary art, not that the spirit of today’s collectors has less or nothing to do with yesteryear’s philanthropist or maecenas.
The history of art shouldn’t take such an artist-focused perspective. While it makes constructing a historical narrative easier (the “Great Man” theory of history), it overlooks the importance of the artist’s vast retinue of supporters that made his/her achievements even possible. For nearly every “important” artist there has been the supportive gallerist (Daniel Kahnweiler, Virginia [...]